The Postcolonial Theory Of Third Cinema - 4380 Words

One of the most popular and important film theory s that it still around today is Third Cinema also known as the Postcolonial theory. Third cinema emerged in early 1960 through the 1970 s in Latin America and was seen as a militant tool leading to freedom and a revolution. Third cinema was not only about films rather it was about literature and artwork as well as political manifestos written by filmmakers. The whole idea behind third cinema is that it â€Å"refers to the colonized, neo-colonized, or decolonized nations and â€Å"minorities† of the world whose economic and political structures have been shaped and deformed within the colonial process† (Stam, 93). Third Cinema had emerged mainly from the Cuban Revolution during the 1950’s but was influenced by different movements including Italian neorealism and direct cinema and different tools and techniques that the world had not been exposed to yet. Third cinema rejected the normal conventions of Hollywood as t hese films were being produced in second and third world countries. For these filmmakers, it was all about guerilla filmmaking, which meant that they would often be creating low budget films using a handheld camera with smaller film crews than usual. These films would often use montage as well as different combinations of sounds and images in order to get audiences to think about the film and what messages it was trying to relay. Since it was all about politics, these filmmakers were not aiming to get rich or gain fameShow MoreRelatedKarl Marx View on Shame as a Social Emotion1312 Words   |  5 PagesMarx, shame is thus a social emotion. For the purposes of this essay I will investigate how ‘shame’ as defined by Marx here, is a rather pertinent alternative to the notion of guilt, especially concerning postcolonial discourses. I will also recognise the problematic ways in which postcolonial shame can operate as articulated by Sara Ahmed in Declarations of Whiteness, where she argues that the utterance of shame or guilt is non-performative. The recognition of shame – or shame as a form of recognitionRead MoreIr The Iranian Identity3660 Words   |  15 PagesIranian youth struggles with identity construction in regards to the international and national influences. I will analyze Iranian society, with reference to postcolonial theories employing different approaches. First, I will explain the general idea behind postcolonial theory, specifically orientalism, as it is one major approach in postcolonial studies. Then I will look at some historical aspects of Iranian identity development, discussing various events that have affected the psyche of Iranians asRead MoreThe Idea of Orientalism Portrayed in James Camerons Avatar3778 Words   |  16 Pagesexaggerated â€Å"other† (Roberts 4). There is another specific form of othering called Orientalism. The term of Orientalism appears in the book with the same title Orientalism written by Edward Said, a preeminent scholar and an important figure in postcolonial studies who is also known as an activist n Middle Eastern politics. Orientalism purpose is to produce a positive national self-definition for Western nations by contrast with Eastern nations on which the West projects all the negative characteristicsRead MoreOne Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 Pagesand opportunities that fueled both migration and trade. As part of these transformations, the new migrations were notably freer than those of the previous three hundred years. This was especially the case in the Atlantic and western Eurasia. Two-thirds of the westward and eastward migrations out of Europe from 1500 to 1820 were coerced in some form (serfs, indentured servants, military conscripts, and convicts).10 Coercion was more complete for the 1–3 million Poles, Ukrainians, and Russians